Tuesday, 17 September 2019

Prefaces in Victorian knitting books


MA History dissertation finally finished. The submitted title was "Knitting as a leisure activity for early Victorian middle-class women 1837-1851". The research confirmed the initial peak of knitting book publishing was in the 1840s, with the exception of the 'Knitting Teachers Assistant' which seems to have first been published in 1817. The digitisation of books over the last 20 years, and the increase in catalogued archive contents has increased the availability of copies of knitting books from the nineteenth century. There were several books published that included reference to Queen Victoria and the Great Exhibition in their title. There seems to be a correlation with the most prolific and successful authors of knitting books also being being shop owners for wool warehouses that also teach knitting and crochet. I've found lots of interesting information about the author Frances Lambert, and found no evidence that Miss Frances Lambert is related in any way to Miss A Lambert. Now the dissertation is written and submitted I'm going to work through the notes to write a less-academic, more everyday-readable version of the interesting findings. Some I will submit to the Knitting and Crochet Guild newsletter, and others will appear here. What I certainly found is that the prefaces of Victorian knitting books contain a wealth of information about the authors and the social changes occurring at the time, and I would encourage their use for other researchers to ponder.

Here are a few prefaces that can be read online:

The ladies' knitting and netting book, 1838

The lady's assistant for executing useful and fancy designs in knitting, netting and crotchet work, Mrs Gaugain, 1840

My knitting book, Miss Lambert, 1844

The illuminated book of needlework: comprising knitting, netting, crochet and embroidery, Mrs Henry Owen, 1847

The workwoman's guide, containing instructions to the inexperienced in cutting out and completing those articles of wearing apparel, &c., which are usually made at home; also, explanation on upholstery, straw-platting, bonnet-making, knitting, &c., by a lady, 1838

Saturday, 20 April 2019

France Lambert's Opera Cap

Knitting an Opera Cap

As part of my MA History research I've been looking at a 1843 copy of Miss France Lambert's The hand-book of needlework (John Murray: London) held in the Valda Cowie collection within the University of Reading Special Collections. The book contains several wood-cut illustrations. In order to understand how realistic the illustrations are, I've followed the recipe for knitting an Opera Cap that has this illustration taken the from New York Public Library copy digitised by Google and available via the Hathi Trust website:


There are multiple digital copies available on the internet. The New York Library digitised copy via the Hathi Trust website: https://babel.hathitrust.org/cgi/pt?id=nyp.33433006773919;view=2up;seq=400 The recipe for the Opera Cap is on pages 375-8 in the New York Public Library edition.

The image shows a scalloped edge surrounding 7 pattern repeated stripes in two colour. After following the recipe the finished cap looks like this:


There is similarity to the illustration though if I tried to replicate the illustration without the recipe then the resulting cap would use a completely different recipe.

As with most Victorian knitting instructions there is an element of experimentation and knowledge expected. The instruction to hem the fancy edges created a yfk2tog picot trim that is common in patterns today, but not yet standard terminology back in 1843. Here is a photo of the reverse of the edge showing the picot edge hem, the reverse of the lace pattern, and one of the braids attached to a corner.


Keeping with the heritage of the project the yarn used is Cochno Farm wool available from the University of Glasgow shop. The wool was created as part of the University's Knitting in the round: hand-knitted textiles and the economies of craft in Scotland project.

Here's a copy of my translation of the pattern

4mm knitting needles (strictly speaking no. 10 is 3.5mm but used 4mm as that works best with the DK yarn I’m using).

Double-knit wool – I’ve used 2 balls of 50g Cochno Farm wool in natural and pink. 

Cast on 74 stitches in white

Border
Purl (74)
Knit (74)
Change to pink. Purl (74)
*yarn forward, k2tog*, repeat to end (74)
Change to white. Purl (74)
Knit (74)
Purl (74)
Knit (74)

1st division (pink)
Purl (74)
Knit, decreasing 1 stitch at each end (72)
Knit
*yarn forward, k2tog*, repeat to end (72)

2nd division (white)
Purl, decreasing 1 stitch at each end (70)
Knit, decreasing 2 stitches at each end (66)
Knit, decreasing 1 stitch at each end (64)
*yarn forward, k2tog*, repeat to end (64)

3rd division (pink)
Purl, decreasing 1 stitch at each end (62)
Knit, decreasing 1 stitch at each end (60)
Knit (60)
*yarn forward, k2tog*, repeat to end (60)

4th (white)
Purl, decreasing 1 stitch at each end (58)
Knit, decreasing 1 stitch at each end (56)
Knit (56)
*yarn forward, k2tog*, repeat to end (56)

5th (pink)
Purl, decreasing 1 stitch at each end (54)
Knit, decreasing 1 stitch at each end (52)
Knit (52)
*yarn forward, k2tog*, repeat to end (52)

6th (white)
Purl, decreasing 1 stitch at each end (50)
Knit, decreasing 1 stitch at each end (48)
Knit (48)
*yarn forward, k2tog*, repeat to end (48)

7th (pink)
Purl, decreasing 1 stitch at each end (46)
Knit, decreasing 1 stitch at each end (44)
Knit (44)
*yarn forward, k2tog*, repeat to end (44)

8th (white) 
Purl (44)
Knit, decreasing 1 stitch at each end (42)
Knit (42)
*yarn forward, k2tog*, repeat to end (42)

9th (pink)
Purl (42)
Knit, decreasing 1 stitch at each end (40)
Knit (40)
*yarn forward, k2tog*, repeat to end (40)

You should have 40 stitches

Pick up 30 stitches each side (30 + 40 + 30). Knit a border along all three remaining sides to match the border along the cast-on edge:

Change to white. Knit
Purl
Knit
Change to pink. Purl
*yarn forward, k2tog*, repeat to end
Change to white. Purl
Knit
Purl

Cast-off loosely

Wash, block and steam.
Make up the cap by folding over the edge at the yf2tog row and sew edge to body to make a picot-edge hem.
Make up plaits or use ribbons and attach at the 4 corners. Place over the head and tie behind and under the chin.

Friday, 8 February 2019

Knitting Teacher's Assistant

The Knitting Teacher's Assistant is a small 32 page booklet that was produced in the nineteenth century to aid teaching knitting in schools. The booklet uses a question-and-answer dialogue to discuss all the instructions and actions required to complete a knitted sock. There is a table at the back of the booklet with multiple sock sizes with the required stitch count in order to achieve each size.

The booklet was published by Hatchards, who have an archive, but haven't responded to my requests for information about when the booklet was printed and how many copies were produced. Therefore, the data is patchy, and based on copies that exist in libraries and archives that have been catalogued.

The earliest copy that I have seen is a facsimile of an 1817 publication that was produced by Robin Stokes (sadly the website no longer exists). The added information page at the front of the copy noted that this was a facsimile of Robin's personal copy (location unknown).

According to the library catalogue at the University of Melbourne, Australia, they have an 1819 edition.

The University of Reading has an 1836 publication of the seventh edition of Knitting Teacher's Assistant in the Special Collections held at the Museum for English Rural Life in the Children's Collection. The British Library also has a copy with the same year and edition.
V&A Museum

The V&A Museum has what looks to be the same content, with the title The National Society's Instructions on Needlework and Knitting and it contains a knitted sampler. The summary suggests it 'was the first British publication of this type on knitting' but their copy is 1838 and second edition, whereas the University of Reading copy is 1836 and seventh edition.
University of Southampton

The Knitting Reference Library at the Winchester campus of the University of Southampton has an 1881 publication from Richard Rutt's collection which has been digitised and is available through Archive.org.

If you know of any earlier copies, please leave a comment with the details.

Friday, 24 August 2018

"It doesn't look like the photo", or, New knitter disappointment

The most frequent question I get asked by new knitters is what they've done wrong. They pull a crumpled handful of knitting from their knitting bag and offer it for inspection. In every case, the knitter has carefully followed the instructions, and the piece of knitting they offer is as the pattern intended. The difference is that it doesn't look like the photo.

In knitting books and magazines the instructions end with some vague reference to follow the instructions on the ball band. There is little or no detail of the blocking required, and with British written instructions there is often a lack of a diagram with measurements to block to. At least charted patterns usually include a diagram with measurements.

My theory is that the knitter born since the 1970's lacked the inherited wisdom of watching parents knitting, washing, blockings and pressing knitting to create the finished fabric. The 'skipped generation' knitters often learn from magazines, videos, or knit-and-natter sessions. They see experienced knitters display their perfect finished garments that look just like the photo that accompanied the original pattern. The gap in knowledge of the unknown finishing tasks creates a gap in confidence.

There is a lack of experience witnessing the casting off a piece of knitting, and observing the following work required to turn a curled piece of knitting into garment fabric, and the sewing-up that turns the fabric into a garment. Most knitters think of these activities as rather dull and uninteresting. The space and steam required makes this an activity difficult to being along to a knitting club or social knitting session. Sewing up is often a tv-watching activity, as it is a slow and time-consuming to match up markers and patterns, and ease seam allowances around shoulders and necklines.

To try and mitigate the worry and concern, here are some photos that are all taken after various stages. The following photographs are of a gauge swatch, and the resulting cotton machine-knit t-shirt.

Straight off the knitting machine:

 After 24 hours of allowing the stitches to relax:
 After washing and allowing to dry flat:
 Finished garment after sewing up:
 After washing and laying out flat to dry:

Some helpful videos demonstrating post cast-off activities:

Cheryl Brunette - Sweater Finishing 101: Easy Finishing for Pullover Sweaters (5-parts)
VeryPink Knits - Knitting Help - Steam Blocking

Saturday, 18 August 2018

Cataloguing archive boxes containing fancy work and knitting patterns in the John Johnson Collection

There is an element of treasure-hunting the unknown when cataloguing archive boxes. As each box is laid down on the reading room table, there is an air of expectation of the treasure that may lay within. That you may be the first person to look in this box since it was neatly put away on a shelf in the archives many years ago.

I experienced this excitement cataloguing five boxes of archives in the John Johnson collection of printed ephemera held in the Bodleian library in Oxford. The collection absorbed the prior Constance Meade collection, and the boxes of fancy work and of knitting and crochet patterns were combined. A lack of funding, combined with the triviality often associated with knitting patterns ('trivial' was the word used by Potter in her bibliography), resulted in these five boxes not being catalogued up to now. As I have a research interest in the contents (studying a part-time MA in History), I took the decision to spend two days at the archive, rather than just one, so that I had the time to catalogue all the contents, and not just the contents relevant to my research. I'm currently in the process of reviewing and correcting my catalogue notes, and slowly submitting the details and photographers, box by box, to the collection, in the hope that they are of sufficient quality to be absorbed to the existing online catalogue, to aid future researchers.

As with any cataloguing process, there are surprising and unexpected finds, as well as disappointments. I had hoped to find a pre-1820 copy of the 'Knitting Teacher's Assistant', but that was not to be. However, I did find sheets of metal, a puzzle label, postage, and plenty of doodling and marginalia. Here are a couple of examples found in 'The knitting and crochet workbook', 2nd edition, published by Thomsons Brothers (year unknown).



There was also the satisfaction of reuniting a cover and title page located in box 6, that had been separated from the book contents in box 4. To clarify, I didn't do the reuniting myself. I followed the correct procedure and informed the Archivist on duty of my find in Box 6 that matched a book I had seen in Box 4 that was missing a cover, and it was the Archivist who did the actual re-uniting, and appropriate documentation.

Saturday, 14 July 2018

Miss Frances Lambert biography in progress

In the last blog post it was noted that reviewing knitting books from the nineteenth century was in progress. The review resulted in a successful application to study a part-time MA in History at the University of Reading to investigate the wider issues of gender, class, and socio-economics of knitting book publishing. Since starting the course, the research has widened to include all knitting books published prior to World War 1. Reading has, within the Special Collections hosted at the Museum for English Rural Life (MERL), several copies of texts from this period. Reading also has strong research experience with gender history, book publishing history, corpus linguistics, and printed ephemera, including recent collaboration with the John Johnson collection at the Bodleian.

Having analysed Esther Potter's bibliography and Richard Rutt's 'A History of Hand Knitting', I was frustrated with the lack of biographical information sufficient to obtain a clear view of the class and socio-economic status of the author Miss Frances Lambert, who was one of the earliest successful authors of knitting, crochet and needlework books. A thorough biographical research project was initiated, which is 80% complete. Sufficient evidence has been collated to confirm when Miss Frances Lambert was born, when she married John Bell Sedgwick (a bedell at The Royal College of Physicians), and the addresses lived at between the marriage, and her death in her 80's. Corrections were submitted to the British Library Catalogue, as some entries had incorrectly been attributed to Miss A Lambert. A full biography is in progress, with anticipation of submission to the Oxford Dictionary of National Biography, which currently lacks biographies of female writers in the nineteenth century.

I have catalogued five archive boxes held in the John Johnson collection at the Bodleian in Oxford. The John Johnson collection absorbed the contents of the Constance Meade collection that is referenced by Potter. The fancy work boxes had yet to be catalogued. The contents have now been logged and photographed, and will be submitted for consideration to be absorbed into the existing online catalogue, to aid future researchers.

The 'In The Loop 2018' conference is taking place at the Winchester School of Art this week. The conference programme is available on the 'In The Loop' website.

Tuesday, 11 October 2016

Researching the knitting author Miss Lambert

After taking a break from my knitting experiments and research for 18 months, due to a seriously ill member of the family, the knitting machine and Victorian books have been dusted off. In a boost to getting back on track, there was extensive use of mind-maps to identify what I have achieved, and what directions to head off in.

The review narrowed the immediate research to three area:

  • The books of Miss Lambert
  • Building a corpus of knitting texts published between 1800-1850 with the intention of digital analysis
  • Standardisation of knitting patterns for use with virtual and physical 3D visualisations
Miss Lambert's books are at the top of the list. Luckily, Miss Lambert's books were published by John Murray Publishers, who still exist today. The archives of the last 200 years of this fascinating company are now held at the National Library of Scotland. The staff are very helpful and knowledgeable, and they provide a digitisation service for researchers unable to make it to the archives themselves. 

The initial analysis of the original accounting logs shows that the imprints of Miss Lambert's books ramp-up quickly, and provided income.

The initials "F.S." in the preface of one of Miss Lambert's books seems to have been a bit of a red-herring. Research at the London Metropolitan Archives has confirmed entries in the Thompson's business directory, and the Post Office business directory, which I am working through. Rather surprisingly, the census entries for the addresses found in the business directories don't directly link up, providing more questions than answers.

A trip to the archives at Kew is planned, to try to resolve some of these loose ends.

The results so far will be written up as a research poster to display at the Knitting History Forum and conference in November. 

On a more technical front, I'm working on 3D-printing replacements parts for my knitting machine, and intend on writing up a brief article for the Machine Knitting Guild newsletter on the subject, with a detailed blog post to follow.